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8 January 1836 – 25 June 1912. Most renowned painters.

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TRAVERSI, Gaspare
Salome mit dem Haupt Johannes des Taufers

ID: 81572

TRAVERSI, Gaspare Salome mit dem Haupt Johannes des Taufers
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TRAVERSI, Gaspare Salome mit dem Haupt Johannes des Taufers


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TRAVERSI, Gaspare

Italian Painter, ca.1722-1770 Italian painter. He was apprenticed to the elderly Francesco Solimena, whose late style, a reinterpretation of the Baroque art of Mattia Preti, influenced his earliest works. At the same time he studied the naturalist painters of the 17th century: Preti himself, Giovanni Battista Caracciolo, Jusepe de Ribera, Filippo Vitale and Francesco Fracanzano. Classical art also attracted him, and in the 1740s he began to make journeys to Rome to study the influential works of Bolognese and Roman classicism: paintings by Guido Reni, Guercino and the Carracci family, and by Carlo Maratti. During one of these visits he copied two pictures by Maratti, then in S Isidoro, Rome: the Flagellation and a Crucifixion . In the following year he was in Naples; three canvases of scenes from the Life of the Virgin (Naples, S Maria dell'Aiuto), one of which is signed and dated 1749  Related Paintings of TRAVERSI, Gaspare :. | Salome mit dem Haupt Johannes des Taufers | Finding of Moses | The Music Lesson | Portrat des Fra Raffaello da Lugagnano | The Sitting qt |
Related Artists:
Alfred Stieglitz
American Photographer, 1864-1946..S. photographer and exhibitor of modern art. He was taken to Europe by his wealthy family to further his education in 1881. In 1883 he abandoned engineering studies in Berlin for a photographic career. Returning to the U.S. in 1890, he made the first successful photographs in snow, in rain, and at night. In 1902 he founded the Photo-Secession group to establish photography as an art. His own best photographs are perhaps two series (1917 C 27), one of portraits of his wife, Georgia O'Keeffe, and the other of cloud shapes corresponding to emotional experiences. His photographs were the first to be exhibited in major U.S. museums.
Edward John Eyre
1815-1901,British colonial administrator. In Australia (1833?C45) he was a magistrate, explorer, and writer on Australian geography, and had a reputation for sympathy for the aborigines. After terms as lieutenant governor of New Zealand (1846?C53) and governor of St. Vincent (1854?C60), he became (1864) governor of Jamaica. He was recalled in 1866 after suppressing a black uprising the year before in which more than four hundred Jamaicans were executed. Eyre was accused of brutality and illegal acts, especially in the execution of George Gordon, a black member of the Jamaican legislature who had contravened the martial law imposed during the emergency. He was recalled in 1866. Several attempts, promoted by John Stuart Mill, Goldwin Smith, and Herbert Spencer, to try him for murder were forestalled by a committee of admirers, which included John Ruskin, Alfred Tennyson, Thomas Carlyle, and Charles Kingsley. An English grand jury declined to indict him, and a royal commission exonerated him, while criticizing his ??unnecessary rigour.?? The episode contributed to the fall of the government of Lord John Russell in 1866.
Elihu Vedder
American Symbolist Painter, 1836-1923 American painter, illustrator, sculptor and writer. He studied under Tompkins Harrison Matteson in Shelbourne, NY, and went to Paris in March 1856. After eight months in the studio of Fran?ois-Edouard Picot, he settled in Florence until the end of 1860. There he learnt drawing from Raffaello Bonaiuti, became interested in the Florentine Renaissance and attended the free Accademia Galli. A more significant artistic inspiration came from the Italian artists at the Caff? Michelangiolo: Telemaco Signorini, Vincenzo Cabianca (1827-1902) and especially Nino Costa (1827-1902). This group sought new and untraditional pictorial solutions for their compositions and plein-air landscapes and were particularly interested in the experiences of Gustave Courbet and the Barbizon painters. They became known as Macchiaioli for their use of splashes (macchia) of light and shadows and for their revolutionary (maquis) attitude to prevailing styles. Among Vedder's most notable Florentine landscapes are Mugnone Torrent near Fiesole (Detroit, MI, Inst. A.) and Le Balze, Volterra (Washington, DC, N. Mus. Amer. A.)






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